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‘Fahrenheit 451′ Author Ray Bradbury Dies At 91

Ray Bradbury’s career spanned more than 70 years — during which he transported readers to other dimensions with his futuristic and innovative stories. He died Tuesday at age 91.

June 6, 2012

Ray Bradbury, author of The Martian Chroniclesand Fahrenheit 451, died Tuesday. He was 91. Bradbury was known for his futuristic tales — but he never used a computer, or even drove a car.

Bradbury was born in Waukegan, Ill., in 1920 and grew up during the Great Depression. He said it was a time when people couldn’t imagine the future, and his active imagination made him stand out. He once told Fresh Air‘s Terry Gross about exaggerating basic childhood fears, like monsters at the top of the stairs.

“As soon as I looked up, there it was, and it was horrible,” Bradbury remembers. “And I would scream and fall back down the stairs, and my mother and father would get up and sigh and say, ‘Oh, my gosh, here we go again.’ “

Hear Ray Bradbury On ‘Fresh Air’

Bradbury dove into books as a child. Wild tales from authors Jules Verne and H.G. Wells captivated Bradbury — and made him dream of becoming a great author. So he started writing, churning out a short story every week during his teens. After his family moved to Southern California, he would escape to the basement of the UCLA library. There, he’d focus on his craft.
This 1966 file photo shows science fiction writer Ray Bradbury looking at a picture that was part of a school project to illustrate characters in one of his dramas.
Ray Bradbury:  Finding Our Reflections Where We Didn’t Expect Them…..
Heinlein, Asimov and Bradbury; they were the tripod (invasive, moving, with lasers) on which my science fiction education was built in the 1970s.

And Bradbury was people. Kids in a long-gone Midwestern town (based on a town not far from where I write), firemen who reluctantly burned books, and of course astronauts, travelers, people who went to other planets only to find themselves. That is, in fact, the ending of my favorite Ray Bradbury story, “The Million Year Picnic,” the last story in The Martian Chronicles. A family from Earth arrives on Mars, after a nuclear war has wiped out life here. The Dad offers the kids a chance to see Martians; the story ends as the family looks into a canal, seeing their own reflection in the water, and the Dad says [something like]: “There they are. Now we are the Martians.”

Bradbury’s message was that of Buckaroo Banzai: Where ever you go, there you are. His characters were not Heinlein’s steely-eyed adventurers and enlightened beings, or Asimov’s two-dimensional mouthpieces. He wrote about real people in far away places and times, and with him it was always easiest to see how these strange books with rockets on the covers weren’t really about anything but us, all of us, staring at our reflections in very strange places.

I never encountered Heinlein, who died in 1988, but I met Isaac Asimov at the World Science Fiction convention in 1980 — he was garrulous and loud and liked to French-kiss young women he had just met — and I got to talk to Bradbury, when my high school English teacher arranged to get him on the phone to talk to us. (I realize now how generous this was of him.) I remember trying to be clever and embarrassing myself with my enthusiasm and my eagerness to show him how much I knew and loved his books; and how gracious he was, and forgiving, in response.

Now they are all gone. Now young people who are now as I was then are growing up with JK Rowling and Neil Gaiman and others (most of whom, I’m sure, I don’t know about, as I have moved on to adultish things) and someday — far away may that day be! — when these children grow up, they will read the obits of those men and women and feel as sad and bereft as I do now. Because it is these writers who mapped where to find — to pay tribute to another lost icon of my childhood — where the wild things truly are. The wild things are right here, and they have been all along.

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