from friend Ralph Tingey
from friend Ralph Tingey
Taken from The Hateful Eight Storm chapbook gathered from the making of the movie by Quentin Tarantino.
This is a long story but worth reading .. A good historical/opinion piece. rŌbert
By Yoni Applebalm
Democracy depends on the consent of the losers. For most of the 20th century, parties and candidates in the United States have competed in elections with the understanding that electoral defeats are neither permanent nor intolerable. The losers could accept the result, adjust their ideas and coalitions, and move on to fight in the next election. Ideas and policies would be contested, sometimes viciously, but however heated the rhetoric got, defeat was not generally equated with political annihilation. The stakes could feel high, but rarely existential. In recent years, however, beginning before the election of Donald Trump and accelerating since, that has changed.
“Our radical Democrat opponents are driven by hatred, prejudice, and rage,” Trump told the crowd at his reelection kickoff event in Orlando in June. “They want to destroy you and they want to destroy our country as we know it.” This is the core of the president’s pitch to his supporters: He is all that stands between them and the abyss.
Trump’s apocalyptic rhetoric matches the tenor of the times. The body politic is more fractious than at any time in recent memory. Over the past 25 years, both red and blue areas have become more deeply hued, with Democrats clustering in cities and suburbs and Republicans filling in rural areas and exurbs. In Congress, where the two caucuses once overlapped ideologically, the dividing aisle has turned into a chasm.
As partisans have drifted apart geographically and ideologically, they’ve become more hostile toward each other. In 1960, less than 5 percent of Democrats and Republicans said they’d be unhappy if their children married someone from the other party; today, 35 percent of Republicans and 45 percent of Democrats would be, according to a recent Public Religion Research Institute/Atlantic poll—far higher than the percentages that object to marriages crossing the boundaries of race and religion. As hostility rises, Americans’ trust in political institutions, and in one another, is declining. A study released by the Pew Research Center in July found that only about half of respondents believed their fellow citizens would accept election results no matter who won. At the fringes, distrust has become centrifugal: Right-wing activists in Texas and left-wing activists in California have revived talk of secession.
Outright political violence remains considerably rarer than in other periods of partisan divide, including the late 1960s. But overheated rhetoric has helped radicalize some individuals. Cesar Sayoc, who was arrested for targeting multiple prominent Democrats with pipe bombs, was an avid Fox News watcher; in court filings, his lawyers said he took inspiration from Trump’s white-supremacist rhetoric. “It is impossible,” they wrote, “to separate the political climate and [Sayoc’s] mental illness.” James Hodgkinson, who shot at Republican lawmakers (and badly wounded Representative Steve Scalise) at a baseball practice, was a member of the Facebook groups Terminate the Republican Party and The Road to Hell Is Paved With Republicans. In other instances, political protests have turned violent, most notably in Charlottesville, Virginia, where a Unite the Right rally led to the murder of a young woman. In Portland, Oregon, and elsewhere, the left-wing “antifa” movement has clashed with police. The violence of extremist groups provides ammunition to ideologues seeking to stoke fear of the other side.
photo credit, rŌbert
UPDATE: It was with sadness that we learned Russell Chatham passed away on November 10, 2019. This was his final interview.
Landscapes are notoriously easy to paint but exceedingly difficult to paint well. For Russell Chatham, the challenge was impossible to resist. There was no other way. Chatham is the grandson of San Francisco muralist Gottardo Piazzoni, and before he turned 20, he had found his calling in painting nature.
In a career that has spanned half a century, Chatham became famous for capturing Montana’s rugged vistas and California’s golden hillsides through an approach that seems to combine a muted, idealized reality and the stuff of dreams. His collectors include Hollywood names like Jessica Lange, Jack Nicholson, and Robert Redford. Along the way, he was married three times, and made a fortune from his paintings, book publishing, and running a restaurant—only to lose it all. Chatham steadfastly believed in following one’s heart.
In what would be the artist’s final interview, Alta editor and publisher Will Hearst sat down with Chatham as he reflected on the difficulties he endured as a young painter and how he’s depended on the love and support of the women in his life. (Disclosure: Hearst is a collector of Chatham’s paintings.)
WILL HEARST:As a little boy, did you think, “I like painting” or “This is what I want to do with my life”?
RUSSELL CHATHAM:When I was eight or nine, it was clear painting was a big deal to me, and so I did it on my own, and all through school I stayed at it relentlessly…through my teen years and through my 20s.
cool November morning
Tim Lane, CDOT/CAIC Intern of the Year (2005) & Director of the Rio Blanco Avalanche Center takes an office break, Rio Blanco Chile
Rio Blanco Avalanche Center interns