Spaulding couldn’t make it to Pisco Hour but his glass was full …

 

IMG_5511Years ago I attended a Spaulding Grey performance in Santa Fe.  After the show I went to the front and talked with him for a bit and acquired the water glass he had been drinking from during the show.  Now it’s enthusiastically used at Rancho Desperado for Mango sours.

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“acquired the water glass” ??

You liberated it as my father used to say !!!!

Bernie Arndt

 

Walter White/Bryan Cranston Talks Covid-19, ‘Breaking Bad’ Fan Theory on ‘Fallon’ ~ RollingStone

“I am not at liberty to disclose that kind of information without security clearances,” actor says of theory

Bryan Cranston addressed a popular Breaking Bad fan theory while appearing on The Tonight Show Starring Jimmy Fallon on Monday.

Cranston first gave details about contracting Covid-19 in March, which he tested positive for around the same time as Tom Hanks and Rita Wilson. “They came out with it right away, and I thought ‘That’s great,’” he told Fallon. “There’s no need for another celebrity to say, ‘Hey, I got it too.’ So I just kept it quiet. We were very lucky. So many people are suffering desperately from this. My wife and I had a week of extreme exhaustion and some body aches, a little dry cough. And then it was gone.”

Once Cranston overcame the virus, he donated plasma. “I asked Tom where he went, and he gave me the address,” he said. The phlebotomist asked Cranston to post about it because there had been a decline in donors. “And I thought, there’s a good reason to just out myself and say, ‘I had it. I’m fine. And if you had it, and you’re fine now too, maybe you’ll consider donating plasma because it really does help them.’”

Cranston also discussed his recent reprise of former characters: Hal from Malcom in the Middle (via a Zoom reunion) and Breaking Bad‘s Walter White for El Camino. Fallon then asked the actor about a popular fan theory: that Walter White did not actually die in the Breaking Bad finale, but survived his injuries and took on the identity of Hal in Malcom in the Middle — making Breaking Bad a prequel to the sitcom.

“I am not at liberty to disclose that kind of information without security clearances,” Cranston cracked. “I think it’s fun. I don’t know. Walter White is definitely dead. He’s dead, he’s dead, he’s dead.”

Purgatory and Silverton Mountain float interest in Silverton’s community ski hill ~ The Colorado Sun

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Two southwest Colorado ski area operators are interested in working with the Town of Silverton to grow the remote community’s Kendall Mountain ski area into a year-round amenity

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100 Years Ago, ‘Crazy Blues’ Sparked a Revolution for Black Women Fans ~ NYT

Mamie Smith’s song wasn’t just an artistic breakthrough. It proved Black women and girls bought records, paving the way for today’s fan armies.

Credit…Donaldson Collection/Getty Images

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“Music was my refuge.”

 

This is how Maya Angelou opens her third memoir, “Singin’ and Swingin’ and Gettin’ Merry Like Christmas,” from 1976. When she was piecing together a life in 1940s San Francisco as a single teen mother, it was the need for vinyl — the blues of John Lee Hooker, the “bubbling silver sounds of Charlie Parker” — that drew her to the Melrose Record Shop on Fillmore. Her passion for records drove her to snatch two hours between jobs so she could rove its aisles. It was “where I could wallow,” Angelou writes, “rutting in music.”

Angelou would go on to join the store’s staff, basking in a world of wall-to-wall sounds — Schoenberg, Sarah Vaughan, Dizzy Gillespie — ordering stock and playing records on request. Maya the music wonk. Maya the D.J. Maya the record collector. This is a side of Black women’s cultural lives rarely considered and yet deeply woven into our modern pop universe.

This week marks the 100th anniversary of Mamie Smith recording “Crazy Blues,” African-American women’s breakthrough into the mainstream recording industry — a feat that is stunning and impactful, yet so often misunderstood or forgotten that most people would be hard pressed to name the artist whose smash altered the course of pop. And though they’re rarely acknowledged in histories of music, the Black women and girls who responded to Smith’s sound in mass helped upend the anti-Blackness of America’s nascent record business in the early 20th century.

In the summer of 1920, Smith, the Cincinnati-born New York vaudevillian, walked into a studio with Perry Bradford, a shrewd songwriter-musician and blues business hustler. They were on a mission to counteract the industry’s previous decade, when white blues artists like Marion Harris and the Ukrainian immigrant Sophie Tucker were breaking out with their own recorded renditions of Black music while African-American entertainers — legends like Ma Rainey, Ethel Waters and Bessie Smith — were confined to burning up the stages all along the “Chitlin Circuit,” the Theatre Owners Booking Association’s array of venues designated for Black performers.

For Smith and Bradford, one of the biggest questions was whether they could prove to record executives that, without a shadow of a doubt, Black music fans mattered.

HIROSHIMA & NAGASAKI ~ Bulletin of the Atomic Scientists

 

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Counting the dead at Hiroshima and Nagasaki

How many people died in the bombings of Hiroshima and Nagasaki? It’s complicated. Historian Alex Wellerstein examines the conflicting reports, observing that various numbers are deployed primarily as a form of moral calculus. Read more.

HIROSHIMA & NAGASAKI

A message from Hiroshima on the reality of the atomic bombing

Many A-bomb survivors have long been working as storytellers at the cost of their emotional pain. Why have the urgings of the victims of the atomic bombings and of the cities of Hiroshima and Nagasaki for the abolition of nuclear weapons been betrayed for so long? Read the message from Hidehiko Yuzaki, governor of Hiroshima Prefecture. Read more.

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The atomic bomb and common security

Since the first use of nuclear weapons in war, 75 years ago today, people concerned with the danger of large-scale nuclear war keep rediscovering a powerful tool for its prevention. Richard Rhodes outlines the “only answer to the clear and present danger of nuclear destruction.” Read more.

HIROSHIMA & NAGASAKI

Statement from the Bulletin’s Science and Security Board

On the 75th anniversaries of Hiroshima and Nagasaki, the Bulletin’s Science and Security Board calls on all states to use their scientific and technical prowess to reduce rather than increase nuclear risks and refrain from new nuclear weapon capabilities that fuel nuclear arms races. Read more.

#stillhere: 75 Years of Shared Nuclear Legacy

Take time today, the 75th anniversary of the bombing of Hiroshima, to sign the Hibakusha Appeal for the elimination of nuclear weapons. Then, join national, virtual eventscommemorating the anniversary of the bombings of Hiroshima and Nagasaki.

HIROSHIMA & NAGASAKI

Hiroshima and COVID-19

With both COVID-19 and nuclear weapons, we have no choice but to call upon the remarkable capacity of the human species for adaptation. Such adaptation is by no means passive and must combine political will with scientific knowledge. Read more.

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Watch Now: “Why the atomic bombing of Hiroshima would be illegal today” Global Webinar

On Monday, the Bulletin hosted a global webinar featuring Scott Sagan, Bulletin SASB member and Caroline S.G. Munro Professor of Political Science at Stanford University; Allen Weiner, director of the Stanford Program in International and Comparative Law; led by Bulletin columnist Sara Kutchesfahani, director of N Square DC Hub. Watch now.

HIROSHIMA & NAGASAKI

Reflecting on the 75th Anniversary of Hiroshima
Bulletin executive chair, former California Governor Jerry Brown, and president and CEO Rachel Bronson will appear at the first ever virtual Aspen Security Forum today at 11:45 am Central. Join the forum to explore the most pressing foreign policy and national security issues of the day facing the US and its allies. Watch now.

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Transforming Our Nuclear Legacy

Bulletin president and CEO Rachel Bronson joins Humanity Rising this morning at 10 am Central to commemorate the 75th anniversary of the atomic bombing of Hiroshima. Join in to explore pathways forward to the elimination of nuclear weapons. Watch on YouTube.

 

The Mozart of Fly Casting

Maxine McCormick began fly casting when she was 9 years old. At 14, she has back-to-back world titles.

Credit…Joshua Lott for The New York Times

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As the competitors in the 2016 Flycasting World Championships arrived at their hotel in Nelijarve, Estonia, some noticed a 12-year-old girl jumping on the hotel’s trampoline.

The girl, Maxine McCormick of San Francisco, was not a tourist. She was their competition.

Maxine was competing in four events in the biennial championships of this niche sport, in which the world’s best handlers of flies and rods test their skills in a series of accuracy and distance competitions. Maxine, instead of tinkering with her equipment ahead of the competition or fretting over the wind, spent most of her time on the trampoline, jumping or lying down and reading on it. Once, she fell asleep.

Then she trounced every other woman in the competition’s most popular event, trout accuracy, in which competitors cast into a series of rings. Her score was also higher than those of all the men except one: her coach, Chris Korich. She placed third in the salmon distance event, using back muscles honed by hours of tree climbing to propel her line 127 feet.

“She’s the most efficient fly caster on the planet,” said Korich, who has been coaching Maxine since 2013. “I don’t know anyone in history that can claim to be better.”

In the five years since Maxine began fly casting — which she describes as “fly fishing without the fish” — she has become the sport’s youngest champion. And this weekend, at 14, she defended her accuracy title at the world championships in England with a score of 52 in the women’s division — 21 points clear of the second-place finisher. She also won the salmon distance category.

Credit…Joshua Lott for The New York Times

 

“I never knew I would become this good at anything,” Maxine said in a recent interview.

Anita Strand, the nine-time world champion caster from Norway who took silver in the 2016 accuracy event, recalled watching in awe as Maxine pivoted between two existences — world champion fly caster and child.

Now, she is no longer the tiny girl on the trampoline. She’s a teenager, taller and stronger, favoring fashionable clothing instead of the utilitarian outfits of most of her competitors. At practice, she’s focused and quiet, and when she starts casting, her dark eyes narrow to a frown as she attacks her target.

Maxine’s speedy journey to casting supremacy began when her father, Glenn McCormick, took her to the Golden Gate Angling & Casting Club in San Francisco in 2013. Like most people who come to the club’s pools, he simply wanted to become a better fisherman.

He didn’t know about the sport of casting, which began in the United States 150 years ago and flourished during the first half of the 20th century, when casting competitions took place at Madison Square Garden. The sport has faded into obscurity, but there is still a robust community of local clubs around the country, as well as national and international tournaments sanctioned by various governing bodies.

It’s a tiny sport, but the clubs offer people a chance to improve the distance and accuracy of their cast, which leads to more productive fishing. About 75 people compete in the yearly national tournaments, and there are about 150 elite competitive casters throughout the United States.

Maxine’s gift quickly became apparent. In the same way that tennis prodigies are somehow able to get extra spin and power on the ball from their first days on a court, Maxine could make the fly come off the tip of her rod with a zip and efficiency that young casters rarely have, her father said.

She also had access to local clubs that counted world champions as members, including Korich, an 11-time world champion. Temperate weather also helped, allowing year-round practice. By the time Maxine was 10 she was regularly outscoring all the women at national tournaments.

Equipment could be an issue. Waders didn’t fit. Korich had to sand down her rods to fit her strength levels. Korich, 59, who has two daughters of his own, balanced his instruction with frequent breaks for playing in nearby creeks, and often found himself standing under a tree, praying that Maxine wouldn’t fall out of it.

He also let her come up with names for the fundamentals she was learning. The wrist muscles she needed to activate while casting became her “magic rainbow bands,” in honor of her hobby of making rubber band bracelets. While practicing her back cast, a move that requires a thrusting backward motion, she imagined poking a giant in the eye with her rod. To remind herself to keep her movements close to her body to conserve energy, she pictured herself in a giant egg she didn’t want to crack. Korich has even learned how to use Snapchat to communicate with her.

With Maxine dominating the juniors, Korich told her she should focus on beating the sport’s Michael Jordan — Steve Rajeff, 61, considered the best fly caster of all time. Maxine agreed.

Maxine with her coach, Chris Korich. He learned how to use Snapchat to improve communication with her.
Credit…Joshua Lott for The New York Times
 
Maxine placed her casting fly in the center yellow ring for a perfect cast.
Credit…Joshua Lott for The New York Times

Korich knew how she could accomplish the feat. He grew up casting alongside Rajeff in the Bay Area, and he quickly realized as a teenager that he couldn’t match Rajeff’s strength. So he focused on efficiency, eventually beating Rajeff several times over the years. He began teaching Maxine the techniques he had developed to conquer Rajeff.

It worked. In 2016, a few weeks before the world championships in Estonia, Maxine outscored Rajeff in trout fly accuracy at the national championships in Kentucky.

Rajeff said Maxine’s exquisite timing sets her apart in a sport that requires such delicate skill.

“Her casting loop, the rolling shape a fly line takes, it’s like every one is the same,” he said.

She is also skilled at what casters call “the presentation,” the way their cast descends upon its target. “Her sense of trajectory, and the lay down motion, is spot on,” Rajeff said. “There’s no collapsing, or there’s no going up too high and faltering, fluttering down.”

The McCormicks moved to Portland, Ore., after the 2016 world championships, and Maxine occasionally practices with Rajeff, who lives in Washington State. Casting has traditionally been a male-dominated sport, but Maxine is part of a long history of female fly-casting champions, including Joan Wulff and Pamela Peters.

The competition has learned not to dismiss her because she is so young.

“Just ’cause of the title, of being world champion,” she said.

During a recent training session with Korich at the Oakland Casting Club, Maxine worked on her distance-casting technique: She stood with her left foot in front of her dominant, right foot as she arced the long, flexible rod above her head.

“Pull your front toe up, get that weight transferred,” Korich yelled to Maxine, who adjusted her stance in her checkered Vans shoes.

The motion is similar to pitching a baseball, but with the added challenge of controlling a flyline, which occasionally smacks her in the face or hits a bird.

Korich’s excitement rose when her fly landed just shy of 100 feet away. “If you had a carrying wind, you would have hit that 110,” Korich told her.

Dappled light streamed through redwood trees, making it harder to judge distance, and wind bounced through the trees, changing the direction of their casts.

Credit…Joshua Lott for The New York Times

Maxine and her coach took turns trying to beat each other’s distances, their lines slicing through the air. Then Maxine switched to accuracy practice. At the world championships, there are four targets, each with three rings. Competitors have five minutes to complete the course four times, left to right, and they accrue points depending on which ring they hit with their flies. As she practiced in Oakland, her fluid, repetitive motions appeared almost effortless.

A key part of Korich’s coaching strategy is planning something for Maxine to look forward to after a tiring practice session. In previous years, it has been ice cream. On this day, it was shopping. Maxine looked forward to a trip to her favorite store, Brandy Melville.

There are times when she doesn’t feel like casting, when she wishes she were hanging out with friends, or maybe watching a movie. It’s hard being the only young person in a sea of baby boomer men. At this year’s national championships in Indiana, she and her little brother, 7-year-old Tobias, who is also a burgeoning caster, were the only kids around.

Maxine is not sure what the future holds. There is no clear path for fly casting superstars the way there is for other sports. She loved being a counselor in training at fly fishing camp this summer. She might teach more.

But first, there was a world championship to take care of. She was mainly focused on beating her own scores, she said — and of course, those of her father, her coach and Rajeff.

“I’m pretty competitive,” she said with a giggle. “I don’t like to lose.”